#writing fics tips

[moccabunie]

things I've learned after a year writing fanfiction

This is a post from a non-writer who, apparently, now writes (❓) And this is a little crazy to me, considering that a year ago writing less than 1k decent words took a lot of effort. But this year I have completed a +100k project. (It's still difficult, though.)

I found out that the more I wrote, the easier it was to get into the story. So I think that being captivated by my own story has made a lot. I am an eager fanfiction reader, but I had yet to really try to write something on my own.

That was until I got hyper-fixated on three characters and wrote a small story about them sharing a room, and it was one of the funniest and most rewarding things I've done. So I was like "oh, maybe I can try to imagine stories I would like to read?"

(1) story one - a bird told me to wait

The first thing I considered was to make it completely self-indulging. The second was to make it as evocative as possible, not only telling what was happening. I like sensations and emotions, so I really wanted to write things I would like to feel as a reader. I wrote this story, and after that, I added a second longer part because I was enjoying it a lot. I used to doodle about the characters and make small annotations about their dynamics, but there wasn't really a lot of planning here.

(2) story two - beneath the moonlight

My second attempt was a three-chapter story (not so distant from the previous one that can be read as three parts too). But for this one, I wanted to challenge myself because I wanted to explore new themes and tropes, so I made a brief list of the things that should appear here. (but honestly, I just wanted to write a soft mating bite scene lmao, because I was super into a/b/o at that time.) I used keep notes app this time.

I barely showed explicit themes here but I got to enjoy the story anyway. This one wasn't difficult to write because I felt familiar with the characters. It's a light story but these 20k words gave me the courage to take a step further. I said to myself

"stop being a coward. you have enjoyed this. keep writing."

(3) story three - lucid dreams

This one was planned for four or five chapters, quite in the same line as beneath the moonlight. But, and the keyword is planned, it became a full 13 chapters as I developed the story and the characters. If I wanted it to be coherent then I needed to explain the things, build the context, and introduce the world. But it was also an experimental work. I took my notebook and listed the new things I wanted to try, such as - write in past tense - write first and edit later

my process was something like this • imagine random scenarios with pretty imagery as I listened to music • doodling the characters doing things so I didn't forget • open the notes app to write random sentences and dialogues in the middle of the night, I'll find a place for them later • dream about the story and daydream about the story

as for the physical notebook, I have scribbled A LOT there during the writing process.

(a little bit chaotic but functional enough)

One thing I wanted to keep in mind was the evolution of the characters, or in other words, how they were gonna be at the start and the end of the story. And this made things a lot simpler because it gave me an insight that was helpful whenever I had to decide what kind of decisions the characters would make along the story.

Parallelly, I was aware of my narrative flaws, as well as there was a lot of vocabulary and grammar that would escape me in a different language. So I used the notebook to do writing research. Some of my pages were like "how to write action scenes," or "tips for flat scenes." Whenever I felt blocked I read again these pages.

I'm going to copy down here some tips that were useful during the writing block days.

• read another book or fic you like, since sometimes, getting yourself caught by another writer's style can help you to flow through your own. • scroll on pinterest and try to find pictures that capture the vibe of your story, maybe try to describe them or setting a scene in a similar environment that you can see? • changing the setting (for example, day to night, or sun to rain) can add more variants and ambiental tools to play with. • or, changing the character's pov. maybe a scene feels flat because it's narrated by the wrong character. • use objects, not just the characters.

(4) finishing a story

To have an insight into the plot, I wrote the main scenes in really short sentences. That was useful for the first chapters, but suddenly I had 70K words of the story and a lot of details to track. Frequently I had to split chapters into two parts because the "short sentence" became a very long scene. See this comparison: the scenes' guide in the last chapters usually are fragmented into shorter scenes. That's how I avoided losing my mind as I wrote (?)

These are a few tips that were useful to me during this last part.

• write the important plot points as they are mentioned so you can come back to them later and don't forget about them. • keep a scrip to annotate significant things about the characters to make the story consistent. • notion pages is a great place to make inspo boards (usually I added 4 pictures for each scene). During the last chapter, I used the to-do list tool to keep track of the closed story points and the things that were yet to happen • list some of your favourite past scenes, those that have been nice to write, so you can pursue the same vibe again.

The last two months writing the fic I joined the nanowrimo to keep myself motivated but also to have an impulse. My only goal was getting the habit of writing everyday, not minding how many words (usually it was around 400-600 daily). I ended that month with 16k added on my wordcount (to me, that was a lot!). Since I enjoyed that little challenge, I did the same on the next month, resulting in finishing the fic :)

The most important thing during this time was remembering myself from time to time why I am doing this. Let me say I am an utter perfectionist, so I would easily get trapped in making-the-story-perfect, which would end in a writing block. So each time this happened I repeated to myself that I didn't want to write a good story. I just wanted to enjoy and have fun while writing a story, so I should write only things I enjoy. And this simple thing was incredibly helpful whenever I wasn't able to continue a scene.

I think that this is what most writers say, but now I have come to understand that it's true: just have fun. Write what you wanna read.

(5) the next story - requiem of the sleepless

This would be the third part of my first fic. I miss these unhinged boys and I have a little draft of (unholy) things I want to happen to them! Now I want to unlearn everything I know. I want this story to be zero planned, I just want to ~feel~ the characters and make a lot of random things happen. This is about not forgetting why I started, so here I am again.

Being a non-writer writing.

thank you for reading ♡ 

[heywriters]

If you want to write a dumb little story with a dumb little plot and ridiculously silly characters. No one's stopping you. Genuinely, no one should be allowed to stop you. Write that dumb story with your whole heart and don't hold back.

[crazywolf828]

To all my writers who have a tough time with smut terms and not knowing which ones to use, I have found the holy grail for us.

This reddit user, who I've recently found out is @kjscottwrites here on tumblr, took a poll of 3,500 people and went really in depth with asking their favorite terminology, along with actual pie charts on what the readers preferred to see in their smut.

Check out their post with the link to the Google doc here!

[frownyalfred]

want your favorite author to update but don’t want to be too pushy in their comment section?

here’s 5 things you can do to encourage them:

Reblog their fic link on tumblr (bonus if it’s with tags)

Bookmark the fic with a note about what you’re excited about/love in the fic

Recommend the fic to your friends or local discord channel

Draw art or create other media for the fic (as indicated by the author’s comfort level)

Leave them a comment when re-reading about the parts of the chapter/story that stood out to you the second time

[kacchanot-fucking-deal-with-this]

So you know when you're writing a scene where the hero is carrying an injured person and you realize you've never been in this situation and have no idea how accurate the method of transportation actually is?

Oh boy, do I have a valuable resource for you!

Here is a PDF of the best ways to carry people depending on the situation and how conscious the injured person needs to be for the carrying position.

Literally a life saver.

(No pun intended.)

[me-writes-prompts]

-:“We’re definitely just enemies, and not anything more” Enemies to lovers prompt :-

(*Wink wink* tag me if you write these.)

By @me-writes-prompts

“I want to wrap my hands around your throat, and choke you until the life in your eyes die down.” “Kinky.” ;)

“It’s funny, isn’t it? How we always end up, in the same place, at the same time.” “It’s not funny, I know you’ve been stalking me. That’s how we always end up together.” “Stalking? You? *scoffs* in your dreams.”

“Well, if it isn’t my favorite human being on the earth!” They say with fake excitement. “Oh thank you, but I regret to not say the same.”

“If you don’t care, then why are you holding my hand?” “So I can drag you down with me if we fall from this cliff/edge.”

Just deadass staring daggers at each other, and communicating with their eyes.

“Fuck you!” “Love you, too.” They say, blowing a kiss.

“I hate being in your presence, I hope you know that.” “You’re literally sitting half on my lap.” “Because there is nowhere else to sit!” (There was only one couch *snickers*)

“It just so happens that I put on my nicest outfit, just to find out that you’re my blind date.”

“Don’t look at me like that.” “Like what?” “Like you want to murder me but also like…you want me.” 😏

“It’s impossible not to hate you.” “It’s impossible not to hate you.” *mocking*

“Look, I win. So back off okay?” “Stepping on my toe and reaching the ceiling is not winning.”

“Shut up before I-” “Before you what, huh? No, say it. Let me see if you can finish that sent-” *shoves the nearest thing into their mouth*

“Come here, let me see the cut.” “No.” *sighs and walks up to them* “Let. me. see.”

“You’re not that good looking, alright?” “So you admit I’m good looking?” “What? N-no. Never.”

“I love you.” “Huh?” “Is the last thing I would be saying, so get that delulu thought out of your mind, and leave me alone.”

“You’re such an idiot. Who steps on a knife unknowingly?” “It was in the middle of a dumpster, I didn’t see it!” “Someone needs glasses.” “Shut up!” (This is so random lmaooo)

[artistmarchalius]

Cockney Rhyming Slang Phrases Part 2

In a previous post I went into Cockney rhyming slang history and gave some tips on how to use it.

This is the second post in a series where I’ll give you some commonly used Cockney rhyming slang phrases, phrases that I find funny, as well as some phrases that I think would be useful for Spider-Verse fic writers specifically. Part 1 of this series can be found here.

So let’s get started on Part 2!

C-D

China Plate - Mate

E.g. “How are you, me old China?” Or “I’m meeting me old China at the pub later.”

Cobblers Awls - Balls

E.g. “Ooh! Got him right in the cobblers!”

It can also be used to mean “Nonsense”. E.g. “What a load of cobblers!” is another way of saying “What a load of nonsense!”

Cream Crackered - Knackered

E.g. “Sorry mate, I’m creamed!” Or “I’m cream crackered!”

Custard and Jelly - Telly (Television)

E.g. “Shh! I’m watching the custard.”

Daisy Roots - Boots

E.g. “Hang on, I need to put my daisies on!”

Dicky Bird - Word

E.g. “Not a dicky bird, mate.”

Another example of where you usually use the whole phrase. Also, “word” can also mean “a brief chat”. E.g. “Can I have a dicky bird?”

Dog and Bone - Phone

E.g. “You know what, give me a call on the old dog and bone and we’ll sort it out then.”

Duck and Dive - Skive

E.g. “Let’s duck!” Or “I gotta duck.”

Skive means to avoid work, usually by leaving early, similar to what Americans might call “playing hooky”.

Dustbin Lid - Kid

E.g. “How’s the dustbin lid?”

As mentioned in Part 1, it’s good to keep in mind that there can be multiple Cockney rhyming slang phrases for the same word, as well as multiple Cockney rhyming slang phrases that start with the same word. For more information, see Part 1.

As always, I’m not an expert; a true Cockney would know far more than I do. I just want to share the knowledge that I have. I hope someone will find this helpful, informative, or entertaining at the very least.

I’ve got more Cockney rhyming slang phrases coming, but if there’s any other areas of British slang you’d like me to go into, let me know and I’ll see what I can do!

Happy writing and happy speaking!

My other British slang posts: Cockney Rhyming Slang, Cockney Rhyming Slang Phrases Part 1, British Police Slang, Terms of Endearment, Innit VS In’t - a PSA

[luna-azzurra]

Family Secrets Prompts

A character discovers they have a sibling they never knew about. How does this revelation change their family dynamics?

Your protagonist finds a box of old letters that reveal family secrets. What do they learn, and how do they handle it?

A family heirloom is discovered to have a hidden power or curse. How does this impact the family?

A disowned family member returns with shocking news. How do they reintegrate into the family?

A character learns they were adopted. How does this change their identity and relationships?

The protagonist discovers their family is secretly wealthy. How does this affect their life?

Uncover a hidden romantic relationship between family members (e.g., a grandparent had a secret lover).

[ao3-anonymous]

Two authors I subscribe to just posted this awesome guide for fic writers who are writing fics set in the Los Angeles area. As someone who grew up nearby, I skimmed it and can verify it seems pretty accurate!

Also, I've never seen something quite like this before, but would love to gather more of these in one place. If any of y'all have links to similar location-specific guides, add them in the reblogs and we can get a little repository post going!

[writingwithfolklore]

Getting Characters from A to B

Oftentimes a plot requires the characters to get from point A to B. They need to cross the wilderness to get to the next town, or climb to the top of the mountain, or take a boat to the other continent. But long paragraphs of just walking or moving is obviously not that interesting to read, so here are some elements to add to your travelling sections that accomplish the A to B and more.

1. It’s about the characters

If you’ve ever travelled with someone, you know that everything about your dynamic is amplified after spending like 72 straight hours with them. Use this with your characters—every little hidden grudge or flame or annoyance comes out when things get boring or stressful. This is a great time to really delve into character conflicts or even romance subplots, or any other way you’d like to develop the group dynamic. Also, there’s no better place to get the truth out of someone than being trapped in a car or on the road with them for days on end!

On another note, the slower parts of travel also allow for more quiet moments where your character can process what's happened so far. Especially in fast paced stories with lots of conflict, you may opt for a uneventful section of travel where they have time to grieve or plan or otherwise unpack things.

2. Switch up group roles

Travelling tends to carve out the same roles. Usually there is the leader who is driving the group forward and making decisions, the navigator who knows which way to go, the snack/food provider—who may be rationing or even hunting depending on the survival situation--and the one who has a hidden motive that is making them be difficult or drag their heels and provide conflict. These roles are a great way to force a change in dynamic between characters, and can inspire conflict between them.

3. Increase the stakes

A trip isn’t really a trip until something goes wrong. Whether the navigator was reading the map wrong, a bag of rations falls over the cliff side, someone gets injured, or there seems to be some creature stalking them, an increase of stakes raises the tension and creates opportunities for the group to work together or fall apart. For more tips on how to increase stakes, check out my post here:

4. Don’t be afraid to skip past the boring stuff

Once you’ve done what you wanted to do with the trip—broken a friendship, or a leg,, or both—don’t be afraid to skip in time for when they reach their destination. In fact, you’ll likely skip time for several parts of the trip in between interesting scenes between characters or moments where they’re facing against some conflict. We as the readers will assume that they continued on with their travels and just that nothing of note had happened in between.

I hope that helps!

[3typical3]

Tip for non Hispanic ppl writing Spanglish

*I initially wrote this at 1 am so like, keep that in mind as you decipher this lol

*context is key when speaking Spanglish, if your character is in a professional setting they probably won’t speak Spanglish unless it’s to a fellow co worker who also speaks Spanglish. It’s more of a casual way a speaking yk?

Also parents, I avoid Spanglish with my parents unless we’re switching from just speaking Spanish to just speaking English. But that’s depends from family to family.

It’s typically like switching sentences and not dropping in random words.

Example “ es Que fui a la tienda, and they were out of milk”

Example “ te ves cansada, did you sleep last night?”

“La neta” is and extremely common Mexican slang term, typically means, honestly. It can also be used to mean ‘really?’

Honestly example:

“La neta, Im tired”

Or “La neta, estoy cansada. Im going to bed”

In the case it means “really?”:

ex.) “Neta?! They said that?!”

I personally say “ de que” which is basically saying “like”, it’s a filled term, before saying a sentence in either English or Spanish

example “ de que idk it won’t work”

I’m Mexican so I use “ósea” a lot in both languages. Another substitute for words like:

“I mean,” “it'd be,” ”like,” “so,” “that is,” “therefore,” and “or.”

Ex. “ ósea, it looks weird idk”

The famous “ pero like” I personally don’t use a lot but an example of how it’s used in Spanglish is “ pero like, how did it happen?”

Sometimes I Just say “ fuck” but like in my Mexican accent or in a sentence.

“ fuck, perdí mi pulsera”

When I get startled I cuss in both English and Spanish but a Spanglish example would be

*insert random startling noise

“ ala verga! That scared me” or “ hijo de tu puta madre!” when something REALLY scared the shit out of me lol

“Chingada madre, where did that come from”

Rlly insert any cuss word in there and it probably works in Spanglish.

Edit bc I thought of this the morning after

In Mexican Spanish for whatever reason the word “madre” can be used like kinda like a cuss word lol.

Example “ Me vale madres”

Which in English would translate to “I don’t value mothers” but in practice means “I don’t give a shit” or “I don’t care”.

Another Mexican deep cut is the word “pedo” which yes, means fart but we’ve really given the word so many alternative meanings like

“ no es mi pedo “ = “not my problem”

“Estoy bien pedo” = “in rlly drunk”

“Vas a la peda?” = “ are you going to the party/kickback”

There’s more but that’s like the basics lol.

Also another Mexican term is “Aguas”… which literally translates to “waters” but it’s used as a warning.

“Aguas, there’s car coming”

The most famous of Mexican slang has to be “wey” or “guey” depends on how you spell it. But it just means dude. Another term that goes in hand is, “no mames” which basically means “are you kidding me”.

*men for whatever reason hate when the girl they’re dating or are into calls them wey. I think it’s because it’s seen as either improper or as like friend zoning.

“Wey, you’re not gonna believe this”

“No mames wey, look at this”

Another term is “equis” which basically means whatever

“How was the party?”

“Estuvo equis”

Another example

“ now was she dressed?”

“Equis, nothing crazy nothing wow”

*I recommend for Mexican characters looking into the words, or you can just ask me I just don’t wanna make this longer than I already have lol, “mamar”/“mamo”/“mamon”, each you would think is the same but no, no they are not and using one in the wrong context could be catastrophic lol. They are vital words to our vocab

If you’re writing to a character from a specific country, take the time to learn some slang. Sometimes slang crosses over, sometimes even we use slang we learn from each others dialects. Personally I love “joder”/“no jodas” because of the shows from Spain.

But take the time because if you write a Colombian character using most of the slang I’ve used above, you’d get a lot of hate from Colombians lol.

Some bad Spanglish examples would be

“ why didnt you eat your comida?”

Like no. Just no. Inserting a random Spanish word doesn’t equate to Spanglish, at least not in most Latin peoples lives

“ you look cansada” also just no.

*Edit I saw someone post abt this and I felt like adding it in

If you do insert a random Spanish word or vice versa it’s because you forgot the word but that involves a lot of blanking and being annoyed you can’t dig the simplest word out of you sub conscience lol

Example: “ you look, FUCK what’s the word! You know when you’re cansada…TIRED. You look tired”

Another commenter addition I’ll be adding is using “eh” as a filler instead of “um”. I use both but even in English I default to using “eh” or “ehmmmm”

The worst is when you don’t remember the word, only to have it appear in your subconscious hours later lol

Another fav filler word is “deste” which equates to another more Central American term “vaina” but a less refined way of saying it. Essentially they mean “thing” but that thing can be anything. It’s kinda a word when you’re to lazy to say the actual word.

“Pásame el deste”

*passes them x ítem

“No I meant the remote”

*trying not to kill the person because they could’ve said remote the whole time but chose not to

Sometimes we use bad Spanglish on purpose just to be funny

“Que sad” “Que cute”

* i personally love inserting the word cute into my vocab in Spanish just cuz so to each their own

Something I do is like say something in English and immediately say the exact same thing in Spanish. Or like I’ll say an exclamation in one language then end in the other.

“ GO GO GO, VÁMONOS APÚRATE”

“Que asco, gross”

“WOW, que bueno”

Also if you’re writing like couples tbh nicknames in Spanish would be reserved for when you’re speaking in Spanish and same for English, but each couple is different so if you rlly want to leave a nickname in Spanish in go for it. If you rlly want the endearment to be “ mi amor” please remember that after like the first or second time the Spanish speaker would probably just refer to their S/O as “ amor” or switch between the two.

Which brings me to the terms “mami/mamita” and “papi/papito”. Now, while they Can and are by some used in a sexual manner, they can also be used as general terms of endearment. My mom will sometimes call me mamita or my brother papito.

Amongst couples though it’s just kinda said, I saw someone describe it was you just give motherly energy so “mami” is said lol which I get oddly enough.

Once a couple is well established or just comfortable the woman can refer to her S/O as “ viejo” which is old man lol, but it’s like cute. On the flip side idk it’s typically seen as offensive when a man calls his S/O “vieja” but that depends on culture to culture.

Again mami and papi don’t have to be sexual but can be.

Another simple thing you can do is look up nicknames for certain names.

Examples:

“Mike” pronounced “Mique” for Miguel. Some people like to use “Mickey”, that gained popularity from an old Mexican singer lol.

“Ponchó” For Alfonso

“Ale” Can be used for Alejandro/Alexandra/Alejandra

Another thing I thought of is amongst siblings when referring to our parents we will say like

“Haz visto a mi mamá”

Which means have you seen “my mom” even though she’s both our mom… idk it’s weird but a nice little touch you could add to your writing lol

I get rlly annoyed reading bad Spanglish, sometimes it’s just painfully cringe and just obvious a non Spanish speaker wrote it, and I realize it’s bc most of y’all didnt grow up with it so like this is just what is typical Spanglish most Hispanic ppl grow up speaking, obviously not everyone speaks like this but figured I’d give tips from someone who actually speaks English and Spanish and switches between.

If I missed anything feel free to add on or if you disagree add examples

[she-who-fights-and-writes]

Hi! Firstly, thank you for creating this blog and helping all of us out! Secondly, and sorry if this is such a silly question, but how do you write an engaging summary?

I find my own fic summaries are so… lackluster… and not even I’m interested in reading it — so how I can I expect others to be? Even if I like my story, when I write the summary in the start of my fic/in my masterlist, I’m like “Wow… this is not even remotely interesting! 😭”

So yeah, I was wondering if you had any tips/advice for that? 😭 Totally fine if not, I just figured I’d ask. Thanks and have a great day/night! 😘

HOW TO WRITE AN ENGAGING FIC SUMMARY THAT WILL DRAW IN AUDIENCES

Summaries are the bane of many writers’ existences, including my own. It’s already hard enough to get the words down on paper for the actual story, and now people want you to convince them to read it with something more than “I WORKED REALLY HARD ON IT PLEASE IT’S GOOD I PROMISE!!!!”

Squishing a ton of context into a small blurb seems impossible, but I promise it can be done!

Obviously everyone goes about things differently, and a lot of these tips may not work for everyone, but nevertheless, here are some tricks on how to write an engaging summary!

Here’s a simple template I like to use, which will be the focus of this post:

Hook (Draw the reader in!)

Context (What are the core elements of your story?)

Cliffhanger (Introduce a question/scenario that the reader will want to click to know more about!)

1. Start With a Hook

Just like with the first sentence of a story, the first sentence of your summary should immediately spark the reader’s interest.

A bold statement! A good (short) quote from your fic! A shocking discovery! A cool word definition/the definition of your title!

I always like to put the hook of the story on its own line/paragraph, just to emphasize it.

Examples of a hook (Note, these are rushed and off the top of my head. Just meant to give a general idea, not be literary masterpieces): - "It all started when Character A puked on their Uber driver." - "War was inevitable." - "Character A would be dead by sunrise. That’s what Character B vowed." - "By the time they got to the city, it was too late."

Your hook is probably the most important part of your summary; someone will know within milliseconds whether or not they will continue reading.

Once you’re past that initial hump, it’ll be easier to convince a potential reader to skim the rest of the summary. Giving something that jumps out at them will set your story apart from others and ensure it gets that click you deserve!

2. Give Some Context

For shorter one-shots, sometimes a single hook is enough! But if your fic is longer, with a bit more moving parts, you might want to choose a few highlights. Get the essence of your story on paper.

This can be super hard, so don’t feel discouraged if you feel like you’re not getting it. I’d suggest keeping your context to about 1-3 sentences depending on the length of your story, so make sure they count.

Buzzwords are a key factor in getting the main points across. Use ones that relate to your main plot to your advantage! 

For example, if I were to make a short summary of Game of Thrones for someone who has never watched it before, I would definitely include some of these buzzwords: - Dragons - Conquest - Succession - Revenge - Slaughter - Betrayal

Using powerful words (i.e. slaughtered instead of killed) can help draw in your audience!

I can't dictate exactly how you should write your context, since every fic is different and shouldn't be brought under an umbrella of the same rules, so it might help to find inspiration from other people’s summaries.

3. Pose a Question the Reader Will Want the Answer To

The biggest point of a summary is the “so what?” factor. You have all of these tags, but how does the fic make use of them?

A summary shouldn’t be giving all of the answers, but it should still leave crumbs for the reader’s imagination! This doesn’t mean that you literally need to put a question in the summary, but rather pose an unresolved scenario/problem that the reader will want to click to know the solution to.

Here are some example sentence templates that pose an indirect question, often put at the end of a summary to spark interest (Note, these are rushed and off the top of my head. Just meant to give a general idea, not be literary masterpieces): - "Everything changes the moment Character A makes a choice they can't take back." (What is that choice? How does it affect the other characters?) - "As the truth comes to light, nothing will ever be the same." (What is the truth? How does it change things?) - "A dangerous game begins, and only one can emerge unscathed." (Who will be that person?) - “It’s the first time they meet, but it won’t be the last” (What will be these next instances? How do their worlds collide?)

4. Some General Advice

If you don't think the above format works well with your fic, here's just some general advice that can help you out!

DON'T MAKE IT TOO LONG

The biggest mistake I see writers making when posting their work is having a giant four-paragraph summary for their story that takes up half of the feed.

Unfortunately, in an age of fast swiping and instant gratification, a reader may skip over a super long summary simply because they don’t feel like reading all of it.

(The reason why long summaries work for books is because people are more patient when they intend on paying to read something; they’ll take more time considering investments than they would with a free read, since they want to make sure it's worth their money. It’s not fair, but that’s kind of how it goes.)

In my opinion, a fic summary should be no more than one short paragraph, two or three sentences max for a one-shot and maybe five sentences for a long fic.

This isn't exact. It really depends on the length and complexity of the sentence, because no matter the how many you use, if there are enough words to make folks comprehend it as a big block of text, then they’re going to be more likely to skip it.

People looking for long fics will be more patient (since they’re making an investment with their time, rather than money) but if you want to appeal to a wider audience that may be casually browsing and stumble across your fic, definitely consider a more brief route.

PROOFREADING MATTERS!

Because summaries are often an afterthought, many writers don’t put as much effort into it as they would the rest of their story.

I wouldn’t recommend this; people are basing their ENTIRE initial opinion of your fic on this small blurb.

If you rush it and make spelling or grammar errors, people will assume that the rest of your fic is also riddled with errors and scroll past!

Make sure to proofread!

Hope this helped, and happy writing!

[luxaofhesperides]

Ghostlights where Phantom saves Duke or the Signal, and a week later (at a Wayne gala or some other place) Duke recognizes the light/aura coming from Danny

Putting off gala prep was perhaps not the best plan. Duke spent the past month insisting that everything is fine and he has it under control. Duke is also a lying liar who lies, and now he’s frantically trying to pick up his suit in time to get it dry cleaned and altered as necessary. 

Alfred would be disappointed in him, but in Duke’s defense, he had to go out of town on a mission to bust a growing drug cartel, and then spent half a week visiting a shelter for metas on the run (unofficial and hidden away) to help everyone find new homes and learn to control their powers. These things take time!

Unfortunately, gala prep also takes time, and since it’s a charity gala for funding the education of every Gothamite student, it’s not one he can slip out of. The entire family is being strong-armed into attending and not making a scene until the donation period in the first half is over. 

Duke knows he’s not the only one who’s scrambling to get ready for a gala that’s taking place in three days, but they’re not helping him, so it feels like he’s the only one messing up. 

“Sorry!” he calls behind him as he sprints through a group of people. 

He could have asked someone to drive him, but he knows they’re all busy and doesn’t want his own poor time management to cause problems for anyone else. Even though he’s sure Bruce is looking for an excuse to get out of a mandatory Wayne Enterprises board meeting that both Lucius and Tim dragged him to.

RIP Bruce. He will be missed.

The Diamond District is full of people walking the streets, sprinting between parked cars and waiting for their rides. They’re all dressed nicely, making him feel out of place. It’s a feeling that’s never left him since he joined the Waynes but it’s particularly bad when he’s left to navigate these spaces alone. Rich people and socialites are a different kind of human, one that Duke doesn’t care to understand; there’s greed in all of them, turning them heartless, and they can give as much as they want to charity but it won’t change the fact that all they do is a performance to make people like them, rather than a desire to do anything good. 

The sooner this is over, the better. He keeps going, hoping that he can still make it to his appointment with the tailor. Alfred recommended the store, then set up the appointment, so all Duke has to do is trust their judgment as they get him fitted. He’s still got twenty minutes until the scheduled time, but some unspoken rule makes it so he has to show up fifteen minutes early for better service or risk being turned away and told to reschedule. 

Duke slows to a walk when he catches sight of the store, the trying to catch his breath and look more composed before he reaches the door. He takes a moment to straighten his clothes a bit, then opens the door and steps in.

The bell jingles pleasantly above his head. The store is empty of any other customers, and the employee at the front counter looks up with a plastered on smile. 

“I’ll be with you in a moment!” she says, then looks down at her phone and types something out before placing it under the counter. A tablet comes out instead and she swipes through a few screens, then sets it down and look at Duke again. “How can I help you, sir?”

“I have an appointment? For a suit fitting. Under the name Thomas.”

She taps on the screen for a minute, then nods and gives him another customer service smile. “Alright, I’ll go ahead and grab the tailor. They’ll be out with your suit soon. Please, feel free to take a seat or browse some of our suits. We just recently got a new collection in from Italy.”

“Sure, thanks. I’ll just… be here, I guess.”

The employee takes her tablet and disappears through a door, leaving him alone in the store. He doesn’t want to sit down, not while his heart is still trying to settle from his sprint through half of Diamond District, so Duke wanders around the neat stacks of dress shirts and vests, pants and belts and shoes lined up neatly against the walls. 

He takes a moment to shoot Alfred a text that he’s at the tailor for his fitting appointment. Steph’s sent him a long string of videos online, and he’s just about to go through them when the bell rings again. 

Duke glances up and watches a guy walk into the store. He looks around, makes eye contact with Duke, then quickly looks down, taking a seat by the door.

Probably another upper class citizen uncomfortable with the fact that someone in jeans and a hoodie is shopping for suits. Shaking his head lightly, Duke wanders deeper into the store to get some distance between them so they could ignore each other more easily. It’s only until the tailor comes out, and then he can go to a fitting room and be done with this whole thing, so Duke resigns himself to suffering through the tense silence. 

How long is he even supposed to wait? He can only look at clothes in one of three colors before he gets bored. 

He goes to another rack, trying to see if he can notice anything different about these shirts. 

And then he hears a shoe scuff against the floor behind him. He tenses up, but before he can turn around, a belt is wound around his throat, pulling him back and choking him. 

Duke drops his weight, tucking his chin and gets a hand against the inside of the belt to try to push it away. His back hits someone’s chest and he’s trapped, focused on trying not to be choked to death while also keeping his vigilante abilities and meta powers secret. 

More footsteps come from behind, and a soaked cloth is pressed against his nose and mouth.

Chloroform, he realizes, familiar with the smell from Bruce’s training. But training isn’t enough to keep him from being knocked out, and he quickly slips away from the waking world, falling to the ground. 

Just before he passes out completely, he hears the employee who greeted him say, “I’m not sure how much Wayne would be willing to pay for him, but let’s start high and negotiate lower. New kid can’t possibly be worth that much…”

Duke wakes up groggily, memories of what happened quickly snapping into place. He’s too out of it still to get up, but he’s awake enough to be offended. Sure he’s the new kid, and barely even a Wayne, but he’s still worth a lot!

Kidnappers these days. So rude.

He doesn’t hear anyone around him, and it feels like he’s lying on a cold concrete floor. Basement, maybe? Warehouse? Storage unit tucked away somewhere? There’s nothing much to see when Duke is able to open his eyes, squinting bareilly at his surroundings. His arms are tied behind him, wrists bound, but they left his legs alone. 

If he could just hit the panic button on his bracelet…

Duke wiggles around, fighting through the lingering effects of Chloroform, and manages to sit up. If he strains his hearing, he thinks he can hear voices outside of the empty room he’s been left in. There’s a window high up, too high for a normal person to reach without help, but if he can use the shadows to travel through it, then he may be able to escape on his own. 

First things first: he needs to free his hands before anyone comes in to check on him.

They used zip ties on him, which is inconvenient. He’s learned how to get out of them, but it’s difficult enough without being drugged and having to do it behind his back. 

He’s feeling the zip ties bite into his wrists just as there’s a crash from outside the room. His kidnappers yell, alarmed, and are quickly silenced. That’s rarely ever a good sign. Duke renews his efforts to escape, ignore the pain in pushing against his binds like this. 

The door opens. Duke hears the small click of a lock disengaging and freezes. Then he gets to his feet, still unsteady, and prepares to ram his head into anyone who comes near him like some sort of deranged battering ram, or a drunk raging bull. 

Duke is ready for the worst: a gang hoping to steal away a Wayne hostage, a Rogue, Gnomon popping in to cause trouble for the sole purpose of getting on Duke’s nerve. 

He’s not expecting another teenage boy, who is literally glowing, to poke his head in and zero in on Duke. He blinks, then smiles; it’s friendly and sincere, nothing like the employee who helped kidnap him. 

“Hey!” he says, coming into the room properly. He’s floating a good foot off the ground, eyes a bright neon green, with white hair that sways as if he’s underwater. “Are you okay? I saw them drag you out of the back of the store and followed them, but I got a bit lost. Sorry for taking so long to get here.”

“...It’s fine?” Duke offers, trying to wrap his head around what’s happening. “I wasn’t expecting a rescue so soon, anyways. Think you can help me out here?”

“Yeah, of course!” he flies closer, then drops down to the ground behind Duke. He hums lightly under his breath, and then Duke feels a cold touch on his wrist and the zip ties are suddenly gone. 

Duke blinks, then brings his arms in front of him. He moves around a bit to make sure he’s not hallucination, and sure enough, he’s free and unbound because a random meta teenager vanished the zip ties into the ether, or something. 

“Thanks, man. Any idea where we are?”

“Not a clue. I got lost coming here, and I was following them. I don’t think you should trust any directions I give.”

“Fair enough,” Duke laughs. “I’m Duke, by the way.”

“Phantom.”

“Well, thanks for the save, Phantom. Can I treat you to something?”

“Like, coffee?”

“Sure. Or brunch, or ice cream. Whatever you want, really.”

Phantom considers it for a moment, then shakes his head. “Sorry, I would love to but going out in public looking like this,” he gestures to himself, “Is not a great idea. Thanks for the offer though. You got a ride?”

Duke pats his pockets, then sighs. “My phone’s gone. I still have my wallet, though.”

“I fly you to someplace you can call someone, if you’d like.”

“You sure? I could probably just walk out of here and call a taxi.”

“I don’t think walking around by yourself after being kidnapped is a great idea,” Phantom says, doubtfully. “Seriously, let me fly you.”

He should just hit the panic button and wait for someone to show up to get him. He shouldn’t go to some unknown location with a meta he literally just met. 

But, you know what? No one else can say they got kidnapped twice in one day, so Duke nods and says, “Sure, sweep me off my feet, Phantom. You gotta commit to this rescue.”

Phantom laughs. And then he does sweep Duke off his feet into a princess carry with a cheeky grin and flies them out the building, which turns out to be an abandoned apartment building slated for demolition. 

“Keep this up and you’ll be replacing Superman in no time,” Duke jokes.

“I think I could manage it,” Phantom replies thoughtfully. “I mean, I’m already prettier than him, don’t you think?”

“Oh, definitely. The glow really brings out your eyes.”

Phantom gets him a few blocks away when Duke recognizes where they are, and quickly directs him into Crime Alley. They land on top of one of Jason’s safe houses, and while he’s sure there’s enough security to take out a SWAT Team, that’s absolutely not going to stop him from breaking in to use one of Jason’s burner phones and eat his leftovers. 

He’s set down on his feet gently, and as soon as Phantom sees that he’s fine, able to walk and everything, he floats back up, just out of reach.

“Be careful, okay?” he says, getting ready to leave.

“I’ll do my best. Hey, are you gonna be in Gotham for a while, or…?”

Phantom gives him a tired smile. “Nah. I’m just passing through. As long as my luck doesn’t get even worse, then I should be out of here in a few days.”

“Shame,” Duke says, giving Phantom a very visible once over. He’s pretty tall, and Duke can see some muscle on him, and the tight black outfit really adds to his look. The glow that comes out of his chest makes him look ethereal and Duke is beyond glad that he got such a charming rescuer.

Phantom doesn’t blush like a normal person. He glows brighter instead, curling into himself a bit as he looks away, unable to stop the smile from growing on his face. 

“I guess,” he shrugs. “Are you really going to be alright from here?”

“Yeah, man, I have a friend who lives here. I’ll just bother him until he agrees to give me a ride.”

“Alright.” Phantom drifts away, glancing behind him before turning back to Duke. “I’ll get going then. Take care, Duke!”

Duke waves and watches as Phantom begins to fly away. Then Phantom… disappears? Or rather, his body does but Duke can see an orb of light making its way across Gotham, almost like a star fallen from the sky.

He stays on the roof until the light is long gone. When he’s finally ready to go in and steal from Jason, the sun has completely set. 

And he still doesn’t have his suit.

Duke sighs, and mentally prepares himself to other day of stressing out about the gala.

Three days of stress and last minute scrambling leave Duke in the Gotham Museum of Modern Art with Steph, Tim, Cass, and Damian. They’re hiding in the photography gallery to avoid other guests, taking a break from being polite and letting thinly veiled, passive aggressive insults slide over them.

.

.

.

“How much longer must we suffer this before we can go?” Damian grumbles, looking like he’s do anything to get his hands on a blade. Which, considering how many people tried to either pinch his cheeks are say some racist remark about him and his mother, is totally fair. Duke would just punch them, but sometimes a little drama helped get the message across. 

“At least two more hours,” Tim says, not bothering to look up from his phone. From what few glimpses of the screen Duke caught, he’s leading a Titans missions through text and clever hacking. Though it may be more accurate to call is a Young Justice mission since there’s no way any of this was authorized by a Justice League member. 

Also Anita, suited up as Empress, is there. If they aren’t on the news for property destruction and absolutely batshit wild shenanigans, Duke will have to check on Tim to make sure he’s not a pod person sent to infiltrate the family. 

“Think we can sneak out without anyone noticing?” Steph asks, looking at the emergency exit longingly.

Cass shakes her head and points to the door leading to the ballroom. When they look over, Dick makes very deliberate eye contact with them and give them a smile that looks stretched across his face.

Tim winces and pushes Duke. “Oh, something went down. Go take over for him and let Dick rest in here for a bit.”

“Man, why does it have to be me?” he grumbles even as he stands. Dick lets out a heavy breath and gives Duke a grateful smile, patting on the shoulder before shoving him out the door. 

As soon as he’s back into the main hallway, the music and chatter swell, no longer muffled by the thick walls of the photography wing. A few people come and go from the ballroom, no doubt looking for the restroom. 

Or more private places for… other things. Things they definitely shouldn’t be doing in an art museum.

He really can’t wait for this night to be over.

Duke joins the rest of the guests, fake smile on his face, and quickly makes his way to the snack table. He might as well make the most of his time stuck out here. Maybe he could even cause another relationship scandal by implying that Bruce is sleeping with one of partners when in hearing distance of a couple. Maybe even both of them. 

Bruce would go with it. It’s hilarious and he also needs something to make these events bearable.

Sadly, he doesn’t see any good targets as he scans the ballroom. A few people are dancing, while others are talking in small circles, closed off from outsiders. There’s an entire table of old ladies with glasses of wine in front of them; Duke considers hanging around them, since they confess to a lot of crimes after a few glasses. It’s fascinating. 

Also, he does kind of miss hanging out with the one old lady who’s declared herself his high society grandmother and told him stories of how she used to go to bars to find racist people or Klan members during the Jim Crow era, seduce them, then poison them and get their addresses so a few gangs she was friends with would fuck them up.

Granny Kaliasto is the coolest person ever. 

Just as he’s about to finish his last mini rolled crepe, Duke catches sight of one of the few teenagers still in the ballroom. The others, mostly stuck up rich kids no one actually likes, have already left to take over some other part of the museum to gossip until their parents decide it’s time to go home. These two are clearly not part of that crew, what with the girl being very goth and in a poofy, ripped dress, and the boy having already taken his jacket off to keep over his forearm, the top button of his shirt popped open.

They might be cool. He’s hoping they’re cool because he desperately needs some company to keep from dying of boredom while the gala continues on.

Duke walks over to them, going around the side of the ballroom, until he’s close enough to hear them talking.

The boy has his back to Duke, but the girl sees him. She immediately scowls and slaps the boys shoulder, eyes locked on Duke.

“Got another comment about my dress?” she says, voice sharp and acidic.

“Another?” Duke repeats. “I was just bored and wanted to talk to people who were my age. Sorry?”

The boy smacks the girl’s arm, then turns to face Duke. “Sorry about her! Sam is just naturally rude and aggressive. Tonight’s been a bit rough, with this crowd.”

Duke goes to say something, but the words stick in his throat when he sees the boy’s eyes shift from deep blue to an electric green. When he focuses, he can see a faint glow in his chest, the same glow he saw in Phantom.

“Dude? You alright?”

Sam looks him over judgmentally. “I guess it’s nice that I’m not being ogled for once, but don’t do that shit to Danny either.”

“Wait, that’s not what I was doing!” Duke hurries to say, snapped out of his shock. “I just… you look a lot like someone I met recently.”

“Yeah?”

“Yeah. What was your name? I’m Duke, by the way.”

He holds out a hand, and the boy shakes it with a small smile. “Danny. I don’t think we’ve met. I mean, I’m only here because Sam wouldn’t come to this gala without me, so her parents flew me in.”

“You from out of town?”

“Sam and I are from Illinois. Her parents are traveling around the east coast right now, and they decided to spend a week in Gotham to talk business.”

“I’d ask how it is, but outsiders tend to really hate Gotham, so…”

Sam barks out a sharp laugh. “Oh please, we can handle Gotham. Our town might not be as big and well known as Gotham, but we got our own shit to deal with there.”

“I do get shot at a lot back home,” Danny adds thoughtfully. “And that’s without the ghosts.”

“Woah, what?”

“Up for a bit of a story?” Danny asks, impish grin on his face. By his side, Sam brings a hand up to cover a manic smile, shoulders already shaking with laughter. 

This is already better than the grandma gang. Duke leans against the wall, getting settled in, and says, “Always, man. Hit me with it.”

The next hour an a half passes quickly with Sam and Danny dramatically narrating some of the things that have happened in their town. Duke listens, absolutely enraptured, and doesn’t even notice the Waynes file into the ballroom again. 

Unfortunately, they bring with them the attention of most of the ballroom, including Bruce and Sam’s parents. 

She cuts the current story about Box Ghost short with a heavy sigh. “Hold up, I need to greet the Waynes properly while my parents are watching.” She steps in front of Duke and Danny, holding out a hand with a pained smile.

Tim takes it first, giving a solid shake, and introductions start. 

Free from the rules of high society, if only for the moment, Duke leans closer to Danny and whispers to him, “Phantom. Wanna get out of here?”

Danny flinches and turns to him looking panicked. “How did you know?”

“I kinda got magic eyes. I see a lot of things normal humans can’t. Don’t worry about it. I still owe you, so you wanna get out of here?”

He watches as Danny glances around the ballroom, then back to him, clearly weighing out his options. Then he nods and says, “Know where to get a good milkshake around here?”

“Sure do.”

“I guess you’re the one rescuing me this time.”

“Not a rescue,” Duke corrects, and casually picks Danny up over his shoulder into a fireman’s carry, “A kidnapping.”

Danny laughs and waves Sam and all the others goodbye as Duke marches out of the ballroom.

“Don’t bother me for the next two hours!” he calls to the Waynes, “I’m going on a date!”

There are shocked gasps and murmurs all through the crowd. But as he spins around to wave at his shocked and easily amused family, he also catches sight of Granny Kaliasto raising her half full wine glass towards him.

She really is the coolest.

He’s definitely telling her all about this at the next event they attend together. It’ll be nice to have a few stories of his own to share.

[coffeetank]

Ideas to Show Secret Pining - II

*aligning their schedule with their crush's*

"You need to teach me football." // "But you're already the QB." // "I need help with it's theory."

"I was told I should be nice to you because you like nice people."

*sneaking glances at their crush every chance they get.*

*getting protective of their crush*

*running background checks on their crush's potential love interests.*

*pretends to be bad at something just so they can get coached by their love interest*

"I will keep that in mind."

"You like it, right? So why not?"

"This can happen but only between us."

"I didn't know I'd see you here!" (definitely went there just to see them)

*suddenly develops the power to flirt*

*actual simping*

*writing about them in their journal*

*dedicating something valuable to their love interest*

*learning about their love interest so that they can engage in conversations with them*

*blabbers like a fool because they like them so much* (this character is smooth with everyone but their crush)

- ashlee

[briecheesie]

Old Woman Yells at Cloud

Okay, I haven't really been in fandom space for awhile so I have a genuine question:

Are newer fic writers, in newer fandoms, incorrectly writing dialogue *on purpose* as a way to fuck the man, or is it simply a case where they were never taught how to do it and they take their lead from other fics in the fandom, which also don't do it correctly?

Like if it's a movement, I can get behind that. It's a little weird, because I don't know why a fic would have perfect grammar everywhere but choose dialogue as the hill to die on, but I am a bitter Millennial who doesn't understand kids these days.

If it's a lack of knowledge, please let me teach you lmfao. Truly, I want everyone to be the best writer they can be. And, especially if you have hopes of becoming a published author one day, you will need to learn how to write dialogue correctly for an agent to even look at your work past the first line of dialogue.

Disclaimer: I FULLY believe Prescriptive Grammar/"Proper" Grammar is class warfare, but punctuation can change the meaning of a sentence. As a writer, you want your readers to understand exactly what you meant.

[me-writes-prompts]

:-"I sense some tension...and not the friends type." Friends to lovers prompts-:

(Y'alllll I could not help myself. I had to do more!!! Hehehe. Tag me if you guys write any of these :)

The 'just friends' kiss that they have to do as a dare but they both like it and can't stop thinking about it 👀

^^ "I mean, I kinda liked it, I guess..." but then they see their friend's smug face and cough, "I didn't mean it that way!" "Uh huh."

"You know...for someone who says they like me just as a friend, you sure do blush a lot in my presence. What's up with that?"

Going on DATES without realizing that they're doing couple-y things and someone casually commenting they're a cute couple (hehehe)

^^ "We are not a couple. I swear-" "Yeah, never. They're not even my type." "Yeah, same here." (sureeeee mhmm)

Hugs lasting a little longer than usual, and it gets all awkward because they are waiting for the other one to pull away, but neither of them wants to.

Always being extra affectionate with them(i.e. complimenting, playfully teasing, etc)

Communicating using only their eyes(AHHHH)

Pillow fights turning into tackling fights into blushing messes

^^ "It's not fair though! You never let me tickle you! :(" "You have to get close to me to do that." They say with a teasing lick of their lips and a grin. "I- shut up!"

Borrowing their clothes and never returning it just so you can be warm and cozy in them and feel like it's their arms wrapped around you>>>>>

Calling them the first thing when they have a bad day, because they know seeing the other will make it so much better

^^"Hard day?" They ask with a gentle smile when they come in. "Yeah." And that's all they need before they have a cuddle session with both of their favorite movie playing and them just snuggled up :'((((

"You look at them like they hung the stars." A silence. "They did so much then that, and I can't ever be grateful enough, even if I wished to." (angsttttyyy)

*Confessing* "I...I love you. I don't know if it's okay to fall in love with your best friend, but I love you. And it's fine, if you don't love me back, because loving you has been the easiest thing I've ever done, and I'd never stop loving you even if you didn't love me back." "You know what? It is okay to love your best friend, because that's what I've done as well. And I would've never know that you also love me, if you never said it. So let me say this, I love you too." (I am deceased, did i just wrote that?)

Cue the long, slow kiss and the tears that run down their cheeks while doing so. And they lived happily ever after!